Director / Designer / Freelance Illustrator / Textile Print Graphic Designer
Roar Film make factual content for interactive digital media, film and television. I’ve enjoyed working with Roar many times on e-learning projects where I’ve created UI design and illustration. Most recently I’ve been developing a series of educational modules that focus on money education for ASIC, the Australian Securities and Investment Commission.
Learning Seat’s vision is “To shape the future of workplaces through digital education.” The Safe Files is a 64 chapter, online educational detective comic book designed to tackle issues that arise in workplace compliance. My work with Learning Seat was to create an innovative online workplace compliance suite as part of a small team of illustrators & writers. My focus was on storyboards, pencilling, inking and colouring.
Blue Rocket is a very successful and quirky animation studio based in Hobart, Tasmania. I worked on and offsite with them for three years on the “Pixel Pinkie” series 1 and 2 which aired on Chanel 9, Australia and was sold internationally. At Blue Rocket I was responsible for background, prop design and storyboards.
Foot and Playsted are one of the oldest fine printers in Tasmania. Here I learnt more about graphic design and the pre-press process for local advertising material from books to beer labels
Featured in the Best of British Illustrators Images 25
Featured in the Best of British Illustrators Images 24
Illustrator | Pencilling | Inking | Colouring
Illustrator | Weird and Wonderful | Childrens Graphic Novel
School of Motion
Apr-1996 - Apr-1999 - University of Plymouth
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BRWN is an illustration, motion graphics and textile print design studio. Designing unique prints for high end brands for catwalk and high street. We will be visiting London, NYC, LA, Paris, Stockholm, Melbourne & Sydney.
Originally from an illustration and design background James is experienced in working across large and small-scale projects with varied budgets, timelines and communication strategies worldwide.
His methods range from traditional hand drawn pen and ink and watercolour to modern digital techniques using Photoshop and Illustrator. James thrives on colour, innovation and quality.
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